对物质主义消费社会的关注，同样也是刘力国作品的主旨。在他的陶瓷作品中，物质主义的精神充斥着并且充溢出盛载的器皿，无论是赏瓶还是果盘，一切都那么形体丰盈，充满了富足的质感和肉感，令人忍不住要上去触摸和把完。传统的刻瓷工艺和取自民间的喜庆色彩，被艺术家信手拈来而成就了一道丰盛的视觉与欲望的大餐。这些作品记录了时代精神文化的一个侧面，也构成了艺术作品最为根本的价值所在。
    摘自《在北京的天空下》(当代艺术精品展) 作者：高领 （2005年）
    The attention about the society consumption and the materialization is Liu’s major idea. His
    porcelain works is full of materialization. Whatever vases or dishes, the shape is plump, full of high texture, which give you a actuation of touching it. Traditional craftwork and popular cheerful color made up of a splendid visual satisfaction. These works noted a profile of the psychic age, and show the root of art.
    《UNDER THE SKY ABOVE BEIJING》
    (MASTERWORKS EXHIBITION OF CONTEMPORARY ART)
    Curated by: Gao Ling （2005）