在我看来，绘画可以不在风格和样式面前止步，可以是丧失掉风格与样式的，可以是没有符号标志的；绘画也可以是以朝秦暮楚的形式来表露心迹，畅所欲言，甚至可以变得缺乏创见、粗劣和追求失败的形式。当然，这样做的最终目的是使绘画更富于挑战性。其实绘画更应该挑战固有的认识习惯，挑战那些侵入人们意识内，变得僵硬、秩序化了的东西，挑战绘画在展厅与客厅之间的安娴的品格与淑女一般的脾性。

    凡是对现实不满的人都会去想办法，这个近乎直白朴素的道理对画家也适用——画画终究是一项极朴实的工作。

Right There

By Wang Yin

My recent works still lack a consistent visual style. If they seem to have some novelty, there is a sparse sense of times, or in another word, they are short of a sense of the present time. These paintings appear to be somewhat timeworn, coarse and ruinous, but they are more than being scraped together and randomly put together. To deal with works in this way, I have my own purpose and reason. Simply speaking, what painting has appealed to me is to try to grasp the consciousness of painting that I can feel, the consciousness of painting shaped by my experience of life and understanding of painting.

In my eyes, painting can keep on moving ahead in terms of style and type. It can lose style and expression. It can exist without symbols or signs. Painting can be a free means of expression with constantly changing means of expressions, or turn into a form that is short of creativity, of poor quality and going after failure. Of course, the ultimate goal is to make painting more challenging. Actually painting should challenge fixed paradigms, defy what has invaded into people”s consciousness and become stiff and systemized, and dare the subdued character and lady-like temperament of paintings placed within exhibition halls and living rooms.

Anyone dissatisfied by the reality would try to come up with a way out. This almost simple and basic principle applies to artists too - painting, after all, is an extremely down-to-earth job.

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